Behringer 1273 2-Channel Microphone Preamp w/ 3-Band Equalizers & Midas Transformers
Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”
Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.
Features:
- Two-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design
- Class A, all discrete circuitry for highest signal integrity
- Custom-built Midas input and output transformers
- Versatile gain controls to handle various type of inputs including mic, line and instrument
- Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
- Tone function changes input transformer impedance for mic optimization
- Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
- Inductor-based switchable equalizers section with a passive third-order high-pass filter
- Low-frequency boost/cut at 35, 60, 110 or 220 Hz
- Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
- High-frequency boost/cut at 10, 12 or 16 kHz
- 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
- Transformer-balanced inputs and outputs on XLR/combo connectors
- High-precision 7-segment LED signal level meter for each channel
- Rugged 2U rack mount chassis for durability in portable applications
- Auto-ranging universal switchmode power supply
Specifications:
- Mic Inputs: 2 x XLR, transformer balanced front, 2 x XLR, transformer balanced rear
- Line Input: 2 x 1/4" TRS in combi socket, transformer balanced front, 2 x 1/4" TRS, transformer balanced rear
- Instrument Input: 2 x 1/4" TRS, front, hi-Z via transformer
- Outputs: 2 x XLR, 1/4" TRS, transformer balanced
- Frequency Response: 20 Hz to 20 kHz, ±0.5 dB (microphone), 20 Hz to 20 kHz, ±1 dB (line and instrument)
Original: $664.63
-65%$664.63
$232.62More Images
Behringer 1273 2-Channel Microphone Preamp w/ 3-Band Equalizers & Midas Transformers
Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”
Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.
Features:
- Two-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design
- Class A, all discrete circuitry for highest signal integrity
- Custom-built Midas input and output transformers
- Versatile gain controls to handle various type of inputs including mic, line and instrument
- Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
- Tone function changes input transformer impedance for mic optimization
- Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
- Inductor-based switchable equalizers section with a passive third-order high-pass filter
- Low-frequency boost/cut at 35, 60, 110 or 220 Hz
- Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
- High-frequency boost/cut at 10, 12 or 16 kHz
- 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
- Transformer-balanced inputs and outputs on XLR/combo connectors
- High-precision 7-segment LED signal level meter for each channel
- Rugged 2U rack mount chassis for durability in portable applications
- Auto-ranging universal switchmode power supply
Specifications:
- Mic Inputs: 2 x XLR, transformer balanced front, 2 x XLR, transformer balanced rear
- Line Input: 2 x 1/4" TRS in combi socket, transformer balanced front, 2 x 1/4" TRS, transformer balanced rear
- Instrument Input: 2 x 1/4" TRS, front, hi-Z via transformer
- Outputs: 2 x XLR, 1/4" TRS, transformer balanced
- Frequency Response: 20 Hz to 20 kHz, ±0.5 dB (microphone), 20 Hz to 20 kHz, ±1 dB (line and instrument)
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”
Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.
Features:
- Two-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design
- Class A, all discrete circuitry for highest signal integrity
- Custom-built Midas input and output transformers
- Versatile gain controls to handle various type of inputs including mic, line and instrument
- Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
- Tone function changes input transformer impedance for mic optimization
- Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
- Inductor-based switchable equalizers section with a passive third-order high-pass filter
- Low-frequency boost/cut at 35, 60, 110 or 220 Hz
- Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
- High-frequency boost/cut at 10, 12 or 16 kHz
- 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
- Transformer-balanced inputs and outputs on XLR/combo connectors
- High-precision 7-segment LED signal level meter for each channel
- Rugged 2U rack mount chassis for durability in portable applications
- Auto-ranging universal switchmode power supply
Specifications:
- Mic Inputs: 2 x XLR, transformer balanced front, 2 x XLR, transformer balanced rear
- Line Input: 2 x 1/4" TRS in combi socket, transformer balanced front, 2 x 1/4" TRS, transformer balanced rear
- Instrument Input: 2 x 1/4" TRS, front, hi-Z via transformer
- Outputs: 2 x XLR, 1/4" TRS, transformer balanced
- Frequency Response: 20 Hz to 20 kHz, ±0.5 dB (microphone), 20 Hz to 20 kHz, ±1 dB (line and instrument)
